KIT YUEN
KIT YUEN
Kit Yuen is a London-based documentary photographer whose work explores identity, cultural heritage, and the privatisation and use of land across both rural and urban environments. Working through long-form projects, he collaborates closely with the communities he documents, focusing on subjects such as ancient pastoral and religious migratory practices, as well as contemporary urban subcultures.
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Informed by a mixed British-Hong Kong upbringing in London, and a family history rooted in rural pastoralism in the PRC, Kit’s identity is shaped by migration and an ambivalent cultural inheritance. His practice reflects an ongoing sensitivity to how space is accessed, controlled and inhabited across different political and social frameworks. Through this lens, his work explores the relationship between land use, belonging and cultural identity, tracing how both rural and urban communities navigate shifting landscapes and boundaries, both physical and metaphorical.
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His main body of work is a long form project which documents the ancient practice of Transhumance - the seasonal migration of human and livestock - a tradition which has rapidly declined since the post-industrial era and the drastic changes in geopolitical landscape brought on by the 20th century. This body of work considers the impact of shifting borders, land use, and climate change on nomadic pastoral communities, reflecting on how politics, modernisation and the erosion of long-standing practices reshapes cultural identity.
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Alongside this, Kit has spent over a decade documenting post-industrial landscapes across the UK and Eastern Europe, as well as the global urban exploration community. This work explores resistance to the privatisation of urban space, following individuals who assert their right to move through and occupy restricted environments within their home communities. It reflects on cycles of urban decay and regeneration, as former industrial sites are gentrified and redefined within the context of ever-expanding contemporary cityscapes.
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Across both rural and urban contexts, his work returns to questions of who is permitted to move, to remain, and to belong—mapping the shifting boundaries between land, identity, and control.
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CONTACT
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